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| 1. |
Kandre, Mare (1992). Deliria. Bonniers, Stockholm. |
| 2. |
Hume, Robert D. (1969). "Gothic Versus Romantic: A Revaluation of the Gothic Novel". In Publications of the Modern Language Association of America, volume 84, nr 2, 1969. Punter, David (1996). The Literature of Terror, volume 1: The Gothic Tradition and volume 2: The Modern Gothic. Longman, London and New York. Sedgwick, Eve Kosofsky (1986. First publ. in 1980). The Coherence of Gothic Conventions. Methuen, New York and London. |
| 3. |
The Swedish writers I study are Alexander Ahndoril, Magnus Dahlström, Inger Edelfeldt, Per Hagman, Mare Kandre, Carina Rydberg and Nikanor Teratologen (pseudonym for Niclas Lundkvist). |
| 4. |
This defintion is slightly changed from the one in Fyhr, Mattias (1998). Begreppet gotik och gotiska inslag i ung svensk prosa. Litteraturvetenskapliga institutionen, Stockholms universitet. |
| 5. |
Hagman, Per (1996, printed privately). Match. Sweden, s.13, s.11. |
| 6. |
Gibson, William (1986. First publ. in 1984). Neuromancer. Grafton, London, s.9. I owe this view of the beginning of this novel as being postmodern to Giblett, Rod (1996). Postmodern Wetlands. Culture, History, Ecology. Edinburgh University Press, Great Britain. |
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